04: Tampico Trauma - Jimmy Buffett Info

Notices

Jimmy’s Note
This album is dedicated to The Coral Reefer Band. Boys it’s been a long time comin. – Popps

I would like to thank Mike Wheeler, Phil Massey, Rick Holcomb, Clint Gilbert & Steve Vaughn who take care of the Day-to-Day work which enables us to work with ease. Cindy Johnson and Jeri Jenkins of Home at last in Miami for Food & Shelter. Don Light & Herb Belkin; Frank Mulvey for a great cover design. Stan Goldsten, and the people at Mauua. And to everyone who enjoys listening to my music as much as I enjoy playing it. I guess that covers it till next time.

– Jimmy Buffett aboard the Eudaurm. Coconut Grove, Florida. December 20th, 1976

Changes in Latitudes, Changes in Attitudes is the breakthrough 1977 album by American popular music singer-songwriter Jimmy Buffett. The album, his eighth, remains the best selling album of Buffett's career, and contains his biggest single, "Margaritaville". It was initially released in January 1977 as ABC AB-990 and later rereleased on its successor label, MCA.

Changes was very popular and critically well received and was a transitional album on several levels for Buffett. In a commercial sense, it ushered in Buffett's greatest period of chart and airplay popularity - changing him from an FM cult favorite and minor hitmaker to a top-draw touring artist whose albums sold in the millions, receiving regular AM airplay at the time. Changes would be followed by equally popular and more grandiose expressions of Buffett's "Caribbean Soul" on Son of a Son of a Sailor (1978) and Volcano (1979). All of these albums would combine pop, bar-band rock, country, folk, and reggae influences with the professional production of Norbert Putnam.

Changes also represented the beginning of the end of the "Key West Albums": the Don Gant-produced A White Sport Coat and a Pink Crustacean (1973), Living & Dying in 3/4 Time (1974), A1A (1974), and Havaña Daydreamin' (1975). It is these four albums that capture the feel of early 1970s Key West, Florida and Buffett's experiences as a struggling musician and storyteller. Although the albums are not exclusively about Key West, they detail the laid back island ethos of the small island city and its pre-"condo commando" status as an American Casablanca...a place where no one knows your name and would not care if they did. At the time, Key West was a derelict navy town looking for a direction and was filled with small bars and restaurants craving troubadours like Buffett, Steve Goodman, Jerry Jeff Walker, and others who would play for bar money. The albums document life in the Gulf of Mexico Region ("Biloxi", "Banana Republics", "Wonder Why We Ever Go Home") with displays of touring craziness ("Miss You So Badly"). After Changes, Buffett's scope grew to include the entire Caribbean and, later, the vast expanse of what would become "world music." Buffett's Key West experiences would pepper his later work (even recording his albums in Key West's Shrimpboat Sound), but not like it did in the 1973-1977 period. It is this period, along with the 1978 and 1979 albums that created the mythos Jimmy Buffett has parlayed into icon status as a performer, restaurateur, entrepreneur, author, and celebrity.
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		Jimmy Buffett Info > Albums and Lyrics > All Albums > Changes in Latitudes, Changes in Attitudes
04: Tampico Trauma

Changes in Latitudes, Changes in Attitudes Released on February 8, 1977 by ABC Dunhill Records

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03-16-2011, 09:19 AM

Ryan C.

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04: Tampico Trauma
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TAMPICO TRAUMA

I must look a mess I must admit
But I have been traveling quite a bit
South of the border
where the law and order
Is kept by Federales who just grin
And tell you they just want to be your friend
They tell you they just want to be your friend
I left for Tampico last July
I jumped off that boat I almost died

There to greet us were pretty senioritas
I swore that I would not go home them
All those lovely ladies were my friends
All those sweet chiquitas they don't pretend
Como esta, Senorita?

That is all I really want to say
I was thrown out of the country yesterday
You see I was drinkin' doubles
Causin' lots of trouble
When the man looked in the window of the bar and he grinned
And said if you come back we just may not be your friend
I don't want to see you around here again
You come back next time we may not pretend
Hi Dee Ho Boys!

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